爱丁堡大学出版社
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作者:Emma West
来源:[J].Modernist Cultures, 2020, Vol.15 (2), pp.225-252
摘要:The years during and after the Great War saw an explosion in arts organisations attempting ‘to bring the Arts into everyday life’.1 This essay argues that arts organisations should be seen alongside institutions like bookshops, magazines and galleries as key media...
作者:Yuexi Liu
来源:[J].Modernist Cultures, 2020, Vol.15 (2), pp.202-224
摘要:Waugh's last comic novel The Ordeal of Gilbert Pinfold (1957) takes ‘exterior modernism’ to a new height, no longer avoiding interiority – as in his interwar fiction – but exteriorising the interior through dissociation. ‘The Box’, to which the writer-protagonist a...
作者:Rebecah Pulsifer
来源:[J].Modernist Cultures, 2020, Vol.15 (2), pp.155-178
摘要:Scholarship on interwar understandings of ‘collective cognition’ – experiences of intellectual union with others – tends to focus on its capacity to threaten individuality. I counter this trend by investigating prose works by H.D., Olive Moore, Rebecca West, and H.G. We...
作者:Masashi Hoshino
来源:[J].Modernist Cultures, 2020, Vol.15 (2), pp.133-154
摘要:This essay explores modernism's aesthetic and political implications through examining the works of Humphrey Jennings. The essay takes as a starting point the tension inherent to the democratic aesthetic of Mass Observation between the individual observers and the editors wh...
作者:Rebecca Cameron
来源:[J].Modernist Cultures, 2020, Vol.15 (2), pp.179-201
摘要:This paper explores the intersection of jazz culture and popular discourse on nervous disorders in Britain in the 1920s through Noël Coward's plays and revues. In the wake of the First World War, a popular view emerged that the nation was suffering from a form of collective ...
作者:William Simon
来源:[J].Psychoanalysis and History, 2020, Vol.22 (1), pp.53-73
摘要:A selection of letters between the heretical psychoanalyst Robert J. Stoller and the sociologist and sexologist William Simon (formerly of the Kinsey Institute) about: the ‘love–hate’ relationship between research and theory; the changes in American sexual culture unfol...
作者:Dagmar Herzog
来源:[J].Psychoanalysis and History, 2020, Vol.22 (1), pp.1-14
摘要:This introduction to the special issue recovering two pioneering anti-homophobic Freudian psychoanalysts of the 1970s–1980s – the Los Angelean Robert J. Stoller and the Zurich-based Fritz Morgenthaler – situates their contributions in the triple contexts of the history ...

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