利物浦大学出版社
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作者:Rui Miranda
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.51-74
摘要:The Spanish civil war is featured in the works of Jorge de Sena as a moment which created a new level of political awareness and militancy. Sena’s incomplete, posthumously published novel Sinais de fogo (1979) [ Signs of Fire (1999)], which draws from Sena’s biographical exp...
作者:Antonia Wimbush
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.159-178
摘要:Gisèle Pineau is one of Guadeloupe’s most versatile contemporary women authors. Writing in an array of genres – (auto)biographies, short stories, and novels – she narrates the story of the Dissidents [Dissidents], the young black Antilleans who left the islands in dange...
作者:Paige Piper
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.75-89
摘要:The spatial dynamics of dangerous desires in rural French crime thriller L’Inconnu du lac [‘Stranger by the Lake’] (2013) reveal sociological and political implications of marginalized communities at the intersection of space, genre, and identity. In Alain Guiraudie’s t...
作者:Daniel Rosenberg
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.119-137
摘要:Touch and physical sensation play a major role in Jean Genet’s literary and essayistic corpus. In many of Genet’s works, touch fills a double role: it is both a stylistic element which provides characterization and depth, and a meta-textual element which discloses the proces...
作者:Karl Posso
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.91-117
摘要:Caetano Veloso claims that the outrage or ‘trauma’ Glauber Rocha’s film Terra em transe [‘Entranced Earth’] (1967) provoked, particularly amongst Brazil’s left-wing intelligentsia, precipitated the varied forms of countercultural production known as Tropicália. Thi...
作者:Avril Tynan
来源:[J].Journal of Romance Studies, 2020, Vol.20 (1), pp.139-157
摘要:Against the Aristotelian tradition of tragic plot, this article argues that beginning may not lead to the end in any teleological manner but may instead defer the arrival of the end, deconstructing historical and autobiographical narrative structures. In the work of Jorge Se...

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